Cat.No. |
Exhibition |
Exhibit Title |
Process |
851 |
1858, London, Photographic Society |
Bataille d'Inkermann, par G. Doré |
Collodion |
847 |
1858, London, Photographic Society |
Côté droit du Salon |
Collodion |
830 |
1858, London, Photographic Society |
Cadre contenant 1e la reproduction d'un dessin d'architecture; 2e la reproduction de la prise de Malakoff, tableau peint par Yvon et photographiè par Bingham |
Eliographie sur acier (procédé de Ch. Nègre |
827 |
1858, London, Photographic Society |
Cadre contenant 2 dètails de la Cathèdrale de Chartres, une reproduction de plan et la reproduction d'une charte sur parchemin |
Eliographie sur acier (procèdè de Ch. Nègre |
829 |
1858, London, Photographic Society |
Cadre contenant des détails de la Cathédrale de Chartres et divers specimens de travaux différents |
Eliographie sur acier (procédé de Ch. Nègre |
826 |
1858, London, Photographic Society |
Cathédrale de Chartres ['Photographies gravées se tirant par l'encre d'imprimerie obtenues par le procede de Ch. Nègre.'] |
Eliographie sur acier (procédé de Ch. Nègre |
828 |
1858, London, Photographic Society |
Détails de la Cathédrale de Chartres |
Eliographie sur acier (procévdé de Ch. Nègr |
870 |
1858, London, Photographic Society |
Interiéur de Pêcheurs, par Hocker |
Collodion |
54 |
1852, London, Society of Arts |
Missing from Sequence |
|
134 |
1852, London, Society of Arts |
Missing from Sequence |
|
137 |
1852, London, Society of Arts |
Missing from Sequence |
|
141 |
1852, London, Society of Arts |
Missing from Sequence |
|
156 |
1852, London, Society of Arts |
Missing from Sequence |
|
224 |
1852, London, Society of Arts |
Missing from Sequence |
|
259 |
1852, London, Society of Arts |
Missing from Sequence |
|
266 |
1852, London, Society of Arts |
Missing from Sequence |
|
275 |
1852, London, Society of Arts |
Missing from Sequence |
|
399 |
1852, London, Society of Arts |
Missing from Sequence |
|
624 |
1852, London, Society of Arts |
Missing from Sequence |
|
240 |
1853, London, Photographic Institution |
Missing from Sequence |
|
22 |
1854, 2nd Tour, 2nd Set, Society of Arts |
Missing from Sequence |
|
227 |
1855, Glasgow, British Association |
Missing from Sequence |
|
442 |
1855, Glasgow, British Association |
Missing from Sequence |
|
415 |
1855, London, Photographic Society |
Missing from Sequence |
|
419 |
1855, London, Photographic Society |
Missing from Sequence |
|
566 |
1856, Edinburgh, Photographic Society of Scotland |
Missing from Sequence |
|
777 |
1856, Edinburgh, Photographic Society of Scotland |
Missing from Sequence |
|
352 |
1856, London, Photographic Society |
Missing from Sequence |
|
359 |
1856, London, Photographic Society |
Missing from Sequence |
|
109-122 |
1856, Manchester, Photographic Society |
Missing from Sequence |
|
393-394 |
1856, Manchester, Photographic Society |
Missing from Sequence |
|
348 |
1856, Norwich, Photographic Society |
Missing from Sequence |
|
191 |
1857, Birmingham, Photographic Society |
Missing from Sequence |
|
289 |
1857, Birmingham, Photographic Society |
Missing from Sequence |
|
878 |
1858, Edinburgh, Photographic Society of Scotland |
Missing from Sequence |
|
34 |
1859, Aberdeen, British Association |
Missing from Sequence |
|
235 |
1859, Aberdeen, British Association |
Missing from Sequence |
|
405 |
1859, Aberdeen, British Association |
Missing from Sequence |
|
674 |
1859, Glasgow, Photographic Society |
Missing from Sequence |
|
458 |
1861, London, Architectural Photographic Association |
Missing from Sequence |
|
462 |
1861, London, Architectural Photographic Association |
Missing from Sequence |
|
173 |
1863, London, Photographic Society |
Missing from Sequence |
|
424 |
1863, London, Photographic Society |
Missing from Sequence |
|
643 |
1863, London, Photographic Society |
Missing from Sequence |
|
236 |
1864, London, Photographic Society |
Missing from Sequence |
Not Listed |
60 |
1865, Dublin, International Exhibition |
Missing from Sequence |
|
115-120 |
1865, Dublin, International Exhibition |
Missing from Sequence |
|
183 |
1858, London, Architectural Photographic Association (1) |
Missing from Sequence |
|
184 |
1858, London, Architectural Photographic Association (1) |
Missing from Sequence |
|
289 |
1858, London, Architectural Photographic Association (1) |
Missing from Sequence |
|
344-349 |
1858, London, Architectural Photographic Association (2) |
Missing from Sequence |
|
858 |
1858, London, Photographic Society |
Molière (le Contemplateur) et les Caractères de ses Comédies, par Geffroy |
Collodion |
16 |
1852, London, Society of Arts |
Porcelain Jars, from Sevrés |
Paper |
853 |
1858, London, Photographic Society |
Prise de Zaatcha (Afrique), par Beaucé |
Collodion |
682 |
1863, London, Photographic Society |
Six Stereoscopic Views |
Morphine Dry Process |
722 |
1863, London, Photographic Society |
Specimen of Heliographical Printing from Steel Plates. Prepared by C. Nègre's Process. Prize Medal |
Nègre's Process |
723 |
1863, London, Photographic Society |
Specimen of Heliographical Printing from Steel Plates. Prize Medal |
Nègre's Process |
731 |
1863, London, Photographic Society |
Specimens of Heliographical Printing from Steel Plates. Prize Medal |
Nègre's Process |
732 |
1863, London, Photographic Society |
Specimens of Heliographical Printing from Steel Plates. Prize Medal |
Nègre's Process |
734 |
1863, London, Photographic Society |
Specimens of Heliographical Printing from Steel Plates. Prize Medal |
Nègre's Process |
717 |
1863, London, Photographic Society |
Steel Plates engraved for Printing, by Charles Negre's Heliographic Process. Prize Medal |
C. Nègre's Process |
718 |
1863, London, Photographic Society |
Steel Plates engraved for Printing, by Charles Negre's Heliographic Process. Prize Medal |
C. Nègre's Process |
2 |
1854, London, Photographic Society |
Table in Silver 'Repoussé' Work: date 1660. Arm-chair, Stools, &c., covered with purple velvet; date 1580 |
Collodion |
792 |
1858, London, Photographic Society |
Un cadre contenant divers spécimens de photographies, obtenues sur pierre avec le négatif et tirées avec l'encre d'imprimerie |
Lithophotographie |
793 |
1858, London, Photographic Society |
Un cadre contenant divers spécimens de photographies, obtenues sur pierre avec le négatif et tirées avec l'encre d'imprimerie |
Lithophotographie |
794 |
1858, London, Photographic Society |
Un cadre contenant divers spécimens de photographies, obtenues sur pierre avec le négatif et tirées avec l'encre d'imprimerie |
Lithophotographie |
795 |
1858, London, Photographic Society |
Un cadre contenant divers spécimens de photographies, obtenues sur pierre avec le négatif et tirées avec l'encre d'imprimerie |
Lithophotographie |
831 |
1858, London, Photographic Society |
Une planche Eliographique damasquinee et gravée par le procédé de Ch. Nègre |
Eliographie sur acier (procédé de Ch. Nègre |
832 |
1858, London, Photographic Society |
Une planche Eliographique damasquinee et gravée par le procédé de Ch. Nègre |
Eliographie sur acier (procèdè de Ch. Nègre |
833 |
1858, London, Photographic Society |
Une planche Eliographique damasquinee et gravée par le procédé de Ch. Nègre |
Eliographie sur acier (procédé de Ch. Nègre |
679 |
1856, Manchester, Photographic Society |
Vallei Superiéure de l'Ober Hasley, alt. 1900 metres |
Collodion |
185 |
1854, London, Photographic Society |
View on the Pyrenees - The Gorge of Estaufié |
Talbotype |
73 |
1854, Dundee, Royal Infirmary Fund |
View on the Pyrenees-the Gorge of Estaufié |
Talbotype |