| Cat.No. |
Exhibition |
Exhibit Title |
Process |
| 362.01, v 3, Austria |
1851, London, Great Exhibition |
Photography, specimens of, by Paul Pretsch, Lower Road, Islington, London. Size 16 x 21 inches, the largest photographic pictures hitherto made: Views of Schonbrunn (the usual summer residence of the Imperial Court) and of Vienna. [Extracted from longer entry] |
Not Listed |
| 362.02, v 3, Austria |
1851, London, Great Exhibition |
View of a Garden. |
Not Listed |
| 362.03, v 3, Austria |
1851, London, Great Exhibition |
Neptune Group. |
Not Listed |
| 362.04, v 3, Austria |
1851, London, Great Exhibition |
Gloriette, (an elevated point, from which a most extensive view is enjoyed), Schönbrunn. |
Not Listed |
| 362.05, v 3, Austria |
1851, London, Great Exhibition |
Entrance, with the obelisk of trophies. |
Not Listed |
| 362.06, v 3, Austria |
1851, London, Great Exhibition |
Entrance to the Gloriette. |
Not Listed |
| 362.07, v 3, Austria |
1851, London, Great Exhibition |
Interior of the Gloriette. |
Not Listed |
| 362.08, v 3, Austria |
1851, London, Great Exhibition |
Three Heads. |
Not Listed |
| 362.09, v 3, Austria |
1851, London, Great Exhibition |
Two heads, Niobe and Caracalla. |
Not Listed |
| 362.10, v 3, Austria |
1851, London, Great Exhibition |
A courtyard in the suburb of Neubau. |
Not Listed |
| 98 |
1852, London, Society of Arts |
City of Vienna |
Paper |
| 99 |
1852, London, Society of Arts |
City of Vienna |
Paper |
| 157 |
1852, London, Society of Arts |
Lucius Verus, from a Bust |
Paper |
| 174 |
1852, London, Society of Arts |
The New Houses of Parliament |
Paper |
| 192 |
1852, London, Society of Arts |
The Isle of Dogs |
Paper |
| 210 |
1852, London, Society of Arts |
Niobe, a Bust |
Paper |
| 270 |
1852, London, Society of Arts |
Larva of Insect |
Paper |
| 445 |
1852, London, Society of Arts |
Imperial Palace, Vienna |
Paper |
| 447 |
1852, London, Society of Arts |
Neptune Group at Schönbrunn |
Paper |
| 449 |
1852, London, Society of Arts |
The Obelisk at Schönbrunn |
Paper |
| 450 |
1852, London, Society of Arts |
The Gloriette at Schönbrunn |
Paper |
| 454 |
1852, London, Society of Arts |
General View of Schönbrunn |
Paper |
| 456 |
1852, London, Society of Arts |
View of Vienna |
Paper |
| 478 |
1852, London, Society of Arts |
Staircase and Entrance to the Gloriette at Schönbrunn |
Paper |
| 479 |
1852, London, Society of Arts |
The Large Hall, Schönbrunn |
Paper |
| 531 |
1852, London, Society of Arts |
Bas Relief by Canova |
Paper |
| 625 |
1852, London, Society of Arts |
St. Stephen's at Vienna |
Paper |
| 626 |
1852, London, Society of Arts |
View of Vienna from the Spire of St. Stephens |
Paper |
| 698 |
1852, London, Society of Arts |
View of the City of Vienna |
Paper |
| 699 |
1852, London, Society of Arts |
The middle part of the Palace of Schönbrunn |
Paper |
| 700 |
1852, London, Society of Arts |
View of the City of Vienna |
Paper |
| 701 |
1852, London, Society of Arts |
Entrance to the Gloriette in the Garden of Schönbrunn |
Paper |
| 774 |
1852, London, Society of Arts |
Church of St. Stephen at Vienna |
Paper |
| 62 |
1853-4, 1st Tour, Society of Arts |
Cathedral of St. Stephen's, Vienna |
Not Listed |
| 63 |
1853-4, 1st Tour, Society of Arts |
View of Vienna, from the Spire of St. Stephens |
Not Listed |
| 64 |
1853-4, 1st Tour, Society of Arts |
Specimen of a Negative |
Not Listed |
| 40 |
1854, 2nd Tour, 1st Set, Society of Arts |
St Stephen's, Vienna |
Wax Paper |
| 41 |
1854, 2nd Tour, 1st Set, Society of Arts |
Anterior Foot of the Sheep Louse (Melophagus Ovinas) |
Wax Paper |
| 42 |
1854, 2nd Tour, 1st Set, Society of Arts |
Francis Joseph, Emperor of Austria, from a Bust |
Wax Paper |
| 43 |
1854, 2nd Tour, 1st Set, Society of Arts |
St Stephen's, Vienna |
Wax Paper |
| 44 |
1854, 2nd Tour, 1st Set, Society of Arts |
Emperor Charles V of Austria, from a Bust |
Wax Paper |
| 45 |
1854, 2nd Tour, 1st Set, Society of Arts |
Foot Armour of the Time of Maximilian I from the original armour |
Wax Paper |
| 46 |
1854, 2nd Tour, 1st Set, Society of Arts |
Snout, Upper Lip and Feelers of the Musca Vomitoria |
Wax Paper |
| 34 |
1854, 2nd Tour, 2nd Set, Society of Arts |
Sting of the Bee (Apis Mellifica), with the Boxes |
Wax Paper |
| 35 |
1854, 2nd Tour, 2nd Set, Society of Arts |
Upper Lip of the Ixodes ricinus |
Wax Paper |
| 36 |
1854, 2nd Tour, 2nd Set, Society of Arts |
Francis Joseph I., Emperor of Austria, from a bust |
Wax Paper |
| 37 |
1854, 2nd Tour, 2nd Set, Society of Arts |
St. Stephen's, Vienna |
Wax Paper |
| 38 |
1854, 2nd Tour, 2nd Set, Society of Arts |
View of Vienna, from the Spire of St. Stephen's |
Wax Paper |
| 39 |
1854, 2nd Tour, 2nd Set, Society of Arts |
Francis Joseph I., Emperor of Austria, from a bust |
Wax Paper |
| 40 |
1854, 2nd Tour, 2nd Set, Society of Arts |
A Claw of the Fore-leg of the Spider (Aranea diadema) |
Wax Paper |
| 41 |
1854, 2nd Tour, 2nd Set, Society of Arts |
Caterpillar of the Bombix pinee, immediately after hatching |
Wax Paper |
| 98 |
1854, 2nd Tour, 2nd Set, Society of Arts |
Horse Armour, of the time of Maximilian I. from Original Armour |
Wax Paper |
| 23a |
1855, London, Photographic Society |
The Battle of the Romans and the Cimbers; the latter defending their Castle of Chariots. By Prof Kohl. [Supplementary numbers, West Side] |
Collodion |
| 684 |
1855, London, Photographic Society |
Am Hof, Public Square in Vienna, with the Column of the Immaculate Conception. |
Collodion |
| 690 |
1855, London, Photographic Society |
St. Stephens, Vienna |
Collodion |
| 698 |
1855, London, Photographic Society |
Armour of the Emperor Maximilian I., from the Imperial Collection, Vienna |
Collodion |
| 721 |
1855, London, Photographic Society |
Statue of Gutenberg |
Collodion |
| 43 |
1855-6, 3rd Tour, 1st Set, Society of Arts |
St. Stephen's, Vienna |
Wax Paper |
| 44 |
1855-6, 3rd Tour, 1st Set, Society of Arts |
Emperor Charles V. of Austria, from a Bust |
Wax Paper |
| 45 |
1855-6, 3rd Tour, 1st Set, Society of Arts |
Foot Armour of the Time of Maximilian I. from the original armour |
Wax Paper |
| 46 |
1855-6, 3rd Tour, 1st Set, Society of Arts |
Snout, Upper lip and feelers of the Musca Vomitaria |
Wax Paper |
| 30 |
1855-6, 3rd Tour, 2nd Set, Society of Arts |
Snout, Upper Lip and Feelers of the Musca Vomitaria |
Paper |
| 36 |
1855-6, 3rd Tour, 2nd Set, Society of Arts |
Foot Armour of the time of Maximilian I., from the original armour |
Wax Paper |
| 38 |
1855-6, 3rd Tour, 2nd Set, Society of Arts |
St. Stephen's, Vienna |
Wax Paper |
| 40 |
1855-6, 3rd Tour, 2nd Set, Society of Arts |
Emperor Charles V., of Austria from a bust |
Wax Paper |
| 41 |
1855-6, 3rd Tour, 2nd Set, Society of Arts |
St. Stephen's, Vienna |
Wax Paper |
| 260 |
1859, London, Photographic Society |
Bed of the Garravalt, Scotland |
Photo-galvanography |
| 264 |
1859, London, Photographic Society |
Landscape in Scotland, photographed by Roger Fenton, Esq., (absolutely untouched) |
Photo-galvanography |
| 265 |
1859, London, Photographic Society |
The Virgin, in Marble, taken from a Bas-relief by a French Artist |
Photo-galvanography |
| 266 |
1859, London, Photographic Society |
View near Bolton Abbey, photographed by Roger Fenton, Esq. |
Photo-galvanography |
| 268 |
1859, London, Photographic Society |
The Monk, taken from Life, by W. Lake Price |
Photo-galvanography |
| 269 |
1859, London, Photographic Society |
Copy of a Bas Relief by a French Artist |
Photo-galvanography |
| 270 |
1859, London, Photographic Society |
Copy of an Indian Ink Drawing (absolutely untouched) |
Photo-galvanography |
| 271 |
1859, London, Photographic Society |
Porch of the Cathedral of Rheims, by Bisson Freres |
Photo-galvanography |
| 274.01 |
1859, London, Photographic Society |
'Mother Goose' photographed by O. G. Rejlander |
Photo-galvanography |
| 274.02 |
1859, London, Photographic Society |
'I Pays' photographed by O. G. Rejlander |
Photo-galvanography |
| 276 |
1859, London, Photographic Society |
Two pictures in one frame, photographed by W. Lake Price Esq., and Roger Fenton Esq., (absolutely untouched) |
Photo-galvanography |
| 513 |
1859, London, Photographic Society |
HRH The Prince Consort, Photographed by Duppa [Duppa, Brian Edward] |
Photo-galvanography |
| 526 |
1859, London, Photographic Society |
A Group of 3 Ladies, photographed by Wm. Graham Vivian, Esq. |
Photo-galvanography |
| 539.01 |
1859, London, Photographic Society |
Hatfield House |
Photo-galvanography |
| 539.02 |
1859, London, Photographic Society |
Singleton, Photographed by W. G. Vivian, Esq. |
Photo-galvanography |
| 603 |
1859, London, Photographic Society |
The Retreat from Moscow, photographed from the original Oil Painting |
Photo-galvanography |
| 10 |
1861, London, Photographic Society |
Printed by Ordinary Letter-press, from blocks produced by Photography and Electrotype. Absolutely untouched by the Graver. The Invention of Paul Pretsch. |
Not Listed |
| 11 |
1861, London, Photographic Society |
Printed by Ordinary Letter-press, from blocks produced by Photography and Electrotype. Absolutely untouched by the Graver. The Invention of Paul Pretsch. |
Not Listed |
| 628 |
1861, London, Photographic Society |
A Case containing four blocks to be printed by the Ordinary Letter Press, produced by Photography and Electrotype absolutely untouched by the Graver. The invention of PAUL PRETSCH. |
Not Listed |
| 39 |
1862, London, International Exhibition |
Cathedral at Rheims - Engraving by Photography and the Electrotype - Copper-plate Printing. |
Not Listed |
| 40 |
1862, London, International Exhibition |
Engraving by Photography and the Electrotype - Surface Printing from Blocks. |
Not Listed |
| 41 |
1862, London, International Exhibition |
Engraving by means of Photography and the Electrotype - Copper-plate Printing. |
Not Listed |
| 42 |
1862, London, International Exhibition |
Engraving by means of Photography and the Electrotype - Surface Printing from Blocks. |
Not Listed |
| 45 |
1862, London, International Exhibition |
Engraving by means of Photography and the Electrotype - Surface printing from Blocks. |
Not Listed |
| 46 |
1862, London, International Exhibition |
Engraving by means of Photography and the Electrotype - Copper-plate Printing. |
Not Listed |
| 47 |
1862, London, International Exhibition |
Engraving by means of Photography and the Electrotype - Copper-plate Printing. |
Not Listed |
| 48 |
1862, London, International Exhibition |
Engraving by means of Photography and the Electrotype - Copper-plate Printing. |
Not Listed |
| 161 |
1862, London, International Exhibition |
Cathedral at Strasburg - Engraving by means of Photography and the Electrotype - Copper plate Printing |
Not Listed |
| 162 |
1862, London, International Exhibition |
Engraving by means of Photography and the Electrotype - Copper plate printing |
Not Listed |
| 505 |
1862, London, International Exhibition |
Engraving by Photography and Electrotype - Copper-plate Printing. |
Not Listed |
| 506 |
1862, London, International Exhibition |
Engraving by Photography and Electrotype - Copper-plate Printing. |
Not Listed |
| 539 |
1862, London, International Exhibition |
Engraving by Photography and Electrotype - Surface Printing from Blocks. |
Not Listed |
| 540 |
1862, London, International Exhibition |
Engraving by Photography and Electrotype - Surface Printing from Blocks. |
Not Listed |
| 541 |
1862, London, International Exhibition |
Engraving by Photography and Electrotype - Surface Printing from Blocks. |
Not Listed |
| 542 |
1862, London, International Exhibition |
Engraving by Photography and Electrotype - Surface Printing from Blocks. |
Not Listed |
| 543 |
1862, London, International Exhibition |
Engraving by Photography and Electrotype - Copper-plate Printing. |
Not Listed |
| 544 |
1862, London, International Exhibition |
Engraving by Photography and Electrotype - Copper-plate Printing. |
Not Listed |
