| Cat.No. |
Exhibition |
Exhibit Title |
Process |
| 1 |
1845, Cambridge, British Association |
The Theseus. From the Elgin Marbles restored. [Impressions from Dageurreotype Plates, Etched by Fizeau's Process] |
Not Listed |
| 2 |
1845, Cambridge, British Association |
Portrait (Lady). [Impressions from Dageurreotype Plates, Etched by Fizeau's Process] |
Not Listed |
| 3 |
1845, Cambridge, British Association |
Portrait of a Gentleman. [Impressions from Dageurreotype Plates, Etched by Fizeau's Process] |
Not Listed |
| 4 |
1845, Cambridge, British Association |
Boy with Parrot and Cage. Copied from a Talbotype. [Impressions from Dageurreotype Plates, Etched by Fizeau's Process] |
Not Listed |
| 5 |
1845, Cambridge, British Association |
Portrait (Mr Claudet). [Impressions from Dageurreotype Plates, Etched by Fizeau's Process] |
Not Listed |
| 6 |
1845, Cambridge, British Association |
Portrait (Professor Liebig). ['Impressions from Dageurreotype Plates, Etched by Fizeau's Process'] |
Not Listed |
| 7 |
1845, Cambridge, British Association |
Portrait of Professor Liebig. |
Daguerreotype |
| 8 |
1845, Cambridge, British Association |
Series of Portraits shewing the face in various positions taken upon the same plate in successive sittings. |
Daguerreotype |
| 9 |
1845, Cambridge, British Association |
Series of Copies of Antique Gems from the celebrated Poniatowski Collection. |
Daguerreotype |
| 10.01 |
1845, Cambridge, British Association |
Reduced copies of larger Daguerreotypes: Sir David Brewster |
Daguerreotype |
| 10.02 |
1845, Cambridge, British Association |
Professor Liebig |
Daguerreotype |
| 10.03 |
1845, Cambridge, British Association |
Daguerre |
Daguerreotype |
| 10.04 |
1845, Cambridge, British Association |
General Espartero |
Daguerreotype |
| 11 |
1845, Cambridge, British Association |
Study From Life. (Turk) |
Daguerreotype |
| 12 |
1845, Cambridge, British Association |
Series of specimens of the Daguerreotype, consisting of portraits, &c. |
Daguerreotype |
| 13 |
1845, Cambridge, British Association |
Specimens of Talbotype untouched by hand. |
Talbotype |
| 14 |
1845, Cambridge, British Association |
Specimens of Talbotype carefully, and elaborately finished by the process of Mons. Mansion. |
Talbotype |
| 296.01, v 1, Class 10, United Kingdom |
1851, London, Great Exhibition |
Multiplying Camera Obscura to represent on the same surface a number of different pictures, or the same in various aspects, the portraits of several persons, &c. The novelty consists in moving the prepared plate by means of racks and pinions in a vertical and horizontal direction, thus making several parts of the surface pass alternately before an opening placed at the focus of the lens. A sculptor being supplied with seven different aspects of the features of the same person, is enabled, without seeing that person, to make a perfect bust or model. [Extracted from longer entry] |
Not Listed |
| 296.02, v 1, Class 10, United Kingdom |
1851, London, Great Exhibition |
Photographometer, to measure the intensity of the direct photogenic rays, and to compare the sensitiveness of various photographic preparations. |
Not Listed |
| 296.03, v 1, Class 10, United Kingdom |
1851, London, Great Exhibition |
Dynactinometer, to measure the intensity of the reflected photogenic radiation and to compare the power of lenses or object glasses. |
Not Listed |
| 296.04, v 1, Class 10, United Kingdom |
1851, London, Great Exhibition |
Focimeter. It is impossible to obtain well-defined photographic pictures, without previously ascertaining the exact position of the photogenic focus, which is easily done by taking the image of the focimeter on a photographic surface, and comparing the segments of the apparatus with the image, then on the ground glass and the photographic surface. |
Not Listed |
| 296.05, v 1, Class 10, United Kingdom |
1851, London, Great Exhibition |
Screens, to modify the action of light on the various parts of the figure in taking portraits, and thus obtain artistic effects. |
Not Listed |
| 296.06, v 1, Class 10, United Kingdom |
1851, London, Great Exhibition |
Patent photographic camera-obscura. The novelty consists in its being possible to adapt to it with the greatest facility any system of object-glasses, to change them at will according to the power wanted, and also to use plates of any size; each having a separate moveable frame, in which the ground glass and plate fit the same groove. Without the least alteration it will serve for silver plates or paper, and answer either for views or portraits. |
Not Listed |
| 296.07, v 1, Class 10, United Kingdom |
1851, London, Great Exhibition |
Dark-boxes, for containing the prepared plates, and carrying them to and from the camera-obscura. |
Not Listed |
| 296.08, v 1, Class 10, United Kingdom |
1851, London, Great Exhibition |
Brass Frames, to hold two plates, face to face, without contact. |
Not Listed |
| 296.09, v 1, Class 10, United Kingdom |
1851, London, Great Exhibition |
Mercury Box. The novelty is that a number of plates of various sizes may be mercurialised at once in a vertical position, and that the heat is applied by the uniform temperature of boiling water. |
Not Listed |
| 296.10, v 1, Class 10, United Kingdom |
1851, London, Great Exhibition |
Apparatus for cleaning and finishing a daguerreotype plate, without burning the oil in a vertical position, and that the heat is applied by the uniform temperature of boiling water. |
Not Listed |
| 296.11, v 1, Class 10, United Kingdom |
1851, London, Great Exhibition |
Bromine of iodine. Iodine and Bromine combined in the proportions found to afford means giving the plate the highest state of sensitiveness. |
Not Listed |
| 296.12, v 1, Class 10, United Kingdom |
1851, London, Great Exhibition |
Daguerreotype pictures, plain and coloured. Representation of objects of art, scientific experiments on the effect of the various rays, illustrations of the non-coincidence of the visual and photogenic foci, portraits from nature, taken by means of a prism placed before the object glass, in order to obtain an non-inverted picture. |
Not Listed |
| 296.13, v 1, Class 10, United Kingdom |
1851, London, Great Exhibition |
Photographic table; showing that photographic productions may be employed in various ways as in the ornamental part of drawing-room furniture. |
Not Listed |
| 296.14, v 1, Class 10, United Kingdom |
1851, London, Great Exhibition |
Daguerreotype plates, perfectly plane and free from specks, forming true mirrors. |
Not Listed |
| 296.15, v 1, Class 10, United Kingdom |
1851, London, Great Exhibition |
Photogenic paradox, showing that what is light for the eyes is darkness for the photogenic action a frame containing, on one half, the portrait of the Queen, covered with yellow glass, and on the other half the portrait of Prince Albert, covered with deep blue glass, being represented on a daguerreotype plate. The result is that the yellow glass, although showing clearly to the eyes the picture of Her Majesty, has prevented the photogenic action, and that the deep blue glass, although completely hiding the portrait of Prince Albert, the photogenic rays reflected by his picture through the blue glass have had the same action on the daguerreotype as if the engraving had been covered with transparent glass, or with no glass at all. This experiment proves why when light appears yellow on account of vapours existing in the atmosphere, the photogenic action is always so feeble and altogether impeded. |
Not Listed |
| 296.16(1), v 1, Class 10, United Kingdom |
1851, London, Great Exhibition |
Frame containing six specimens: Light of a candle represented on a daguerreotype plate |
Not Listed |
| 296.16(2), v 1, Class 10, United Kingdom |
1851, London, Great Exhibition |
Image of a statue produced by the continued action of light on a daguerreotype plate, without any mercury; the white forming the image is due to a fine precipitate of the silver combined with iodine, taking place under the action of light during the decomposition of the compound. |
Not Listed |
| 296.16(3), v 1, Class 10, United Kingdom |
1851, London, Great Exhibition |
Negative portrait produced on a plate first exposed to light and in that state having received the image of the camera obscura through yellow glass; this proves the destructive action of the yellow rays in the photographic operation, and that the yellow rays are not only antagonistic to the photogenic rays, but that they destroy the effect produced by the last. |
Not Listed |
| 296.16(4), v 1, Class 10, United Kingdom |
1851, London, Great Exhibition |
Image of the sun produced during a clear atmosphere. |
Not Listed |
| 296.16(5), v 1, Class 10, United Kingdom |
1851, London, Great Exhibition |
Image of the sun when it appears red through a fog. |
Not Listed |
| 296.16(6), v 1, Class 10, United Kingdom |
1851, London, Great Exhibition |
Image of the moon produced during a clear night. |
Not Listed |
| 296.17(1), v 1, Class 10, United Kingdom |
1851, London, Great Exhibition |
Frame containing four specimens: Image of the solar spectrum on iodide of silver. |
Not Listed |
| 296.17(2), v 1, Class 10, United Kingdom |
1851, London, Great Exhibition |
Image of the solar spectrum on bromo-iodine of silver. |
Not Listed |
| 296.17(3), v 1, Class 10, United Kingdom |
1851, London, Great Exhibition |
Experiment of the focimeter, showing the differences between the visual and photogenic focus and their variation. |
Not Listed |
| 296.17(4), v 1, Class 10, United Kingdom |
1851, London, Great Exhibition |
Experiment of the dynactinometer, showing the intensity of the photogenic light at any given moment, for the various spaces of time in a geometrical progression. It is curious to observe the small differences produced by a double intensity. |
Not Listed |
| 296.18, v 1, Class 10, United Kingdom |
1851, London, Great Exhibition |
Image of clouds, taken instantaneously during boisterous weather. Interesting study for artists. |
Not Listed |
| 296.19, v 1, Class 10, United Kingdom |
1851, London, Great Exhibition |
Frame containing the various colours of water colour, and another the daguerreotype representation of the first. This experiment shows that all the tints of blue, indigo, and violet, produce white in photography, and that all tints of green, yellow, orange, and red, produce black, or rather they have no photogenic action. |
Not Listed |
| Not Listed |
1854, London, Photographic Society |
Two Stands of Stereoscopes. |
Not Listed |
| 637 |
1856, Edinburgh, Photographic Society of Scotland |
Portrait of Horatio Ross |
Collodion |
| 638 |
1856, Edinburgh, Photographic Society of Scotland |
Portrait of a Young Lady |
Collodion |
| 639 |
1856, Edinburgh, Photographic Society of Scotland |
Portrait Group |
Collodion |
| 640 |
1856, Edinburgh, Photographic Society of Scotland |
Portrait of a Young Lady |
Collodion, touched |
| 641 |
1856, Edinburgh, Photographic Society of Scotland |
Portrait of Sir Hugh Lyon Playfair |
Collodion, touched |
| 642 |
1856, Edinburgh, Photographic Society of Scotland |
Portrait of a Girl |
Collodion |
| 643 |
1856, Edinburgh, Photographic Society of Scotland |
Portrait of a Gentleman |
Collodion, touched |
| 644 |
1856, Edinburgh, Photographic Society of Scotland |
Portrait of a Lady |
Collodion |
| 645 |
1856, Edinburgh, Photographic Society of Scotland |
Portrait of a Gentleman |
Collodion |
| 646 |
1856, Edinburgh, Photographic Society of Scotland |
Portrait of a Lady |
Collodion, touched |
| 647 |
1856, Edinburgh, Photographic Society of Scotland |
Portrait of a Group of Young Ladies |
Collodion, touched |
| 648 |
1856, Edinburgh, Photographic Society of Scotland |
Portrait of a Young Lady |
Collodion, touched |
| 745 |
1856, Edinburgh, Photographic Society of Scotland |
Portrait of a Lady |
Collodion |
| 746 |
1856, Edinburgh, Photographic Society of Scotland |
Portrait of a Lady |
Collodion, touched |
| 747 |
1856, Edinburgh, Photographic Society of Scotland |
Portrait of a Gentleman |
Collodion, touched |
| 1 |
1857, Manchester, Art Treasures |
Rev. H. M. Birch |
Not Listed |
| 2 |
1857, Manchester, Art Treasures |
Portrait |
Not Listed |
| 14 |
1857, Manchester, Art Treasures |
Sir Houston Stewart |
Not Listed |
| 15 |
1857, Manchester, Art Treasures |
John Britton |
Not Listed |
| 16 |
1857, Manchester, Art Treasures |
W. L. Chance |
Not Listed |
| 17 |
1857, Manchester, Art Treasures |
Carlotta Leclerc |
Not Listed |
| 25 |
1857, Manchester, Art Treasures |
La Duc de Guise |
Not Listed |
| 26 |
1857, Manchester, Art Treasures |
Horatio Ross |
Not Listed |
| 27 |
1857, Manchester, Art Treasures |
T. B. Macaulay |
Not Listed |
| 42 |
1857, Manchester, Art Treasures |
Dr. Livingston |
Not Listed |
| 43 |
1857, Manchester, Art Treasures |
Portrait of a Lady |
Not Listed |
| 44 |
1857, Manchester, Art Treasures |
Lieut. Bellot |
Not Listed |
| 45 |
1857, Manchester, Art Treasures |
Dr. Hassall |
Not Listed |
| 46 |
1857, Manchester, Art Treasures |
W. T. Brande |
Not Listed |
| 47 |
1857, Manchester, Art Treasures |
Dr. Hamel |
Not Listed |
| 51 |
1857, Manchester, Art Treasures |
Miss Brougham |
Not Listed |
| 54 |
1857, Manchester, Art Treasures |
W. G. Rogers |
Not Listed |
| 55 |
1857, Manchester, Art Treasures |
Portrait |
Not Listed |
| 69 |
1857, Manchester, Art Treasures |
Portrait. Coloured. |
Not Listed |
| 72 |
1857, Manchester, Art Treasures |
Captain Wilson |
Not Listed |
| 74 |
1857, Manchester, Art Treasures |
Portrait |
Not Listed |
| 76 |
1857, Manchester, Art Treasures |
Portrait |
Not Listed |
| 77 |
1857, Manchester, Art Treasures |
Portrait |
Not Listed |
| 80 |
1857, Manchester, Art Treasures |
Duke of Cambridge |
Not Listed |
| 84 |
1857, Manchester, Art Treasures |
Group |
Not Listed |
| 85 |
1857, Manchester, Art Treasures |
Carlotta Leclerq |
Not Listed |
| 87 |
1857, Manchester, Art Treasures |
Group |
Not Listed |
| 89 |
1857, Manchester, Art Treasures |
Sir R. Peel, Bart. |
Not Listed |
| 90 |
1857, Manchester, Art Treasures |
Duke of Wellington |
Not Listed |
| 94 |
1857, Manchester, Art Treasures |
Hepworth Dixon |
Not Listed |
| 767 |
1858, Edinburgh, Photographic Society of Scotland |
Bolton Abbey, from an engraving after Sir E. Landseer |
Collodion |
| 796 |
1858, Edinburgh, Photographic Society of Scotland |
Portrait of a Gentleman |
Collodion |
| 797 |
1858, Edinburgh, Photographic Society of Scotland |
Portrait of a Young Lady |
Collodion |
| 808 |
1858, Edinburgh, Photographic Society of Scotland |
Group of Ladies |
Collodion |
| 814 |
1858, Edinburgh, Photographic Society of Scotland |
Portrait of a Gentleman |
Collodion |
| 815 |
1858, Edinburgh, Photographic Society of Scotland |
Portrait of a Young Lady |
Collodion |
| 874 |
1858, Edinburgh, Photographic Society of Scotland |
Portrait of a Gentleman |
Col. (coloured) |
| 881 |
1858, Edinburgh, Photographic Society of Scotland |
Portrait of Madlle. Piccolomini |
Col. (coloured) |
| 882 |
1858, Edinburgh, Photographic Society of Scotland |
Portrait of a Young Lady |
Col. (coloured) |
| 883 |
1858, Edinburgh, Photographic Society of Scotland |
Portrait of a Young Lady |
Col. (coloured) |
| 884 |
1858, Edinburgh, Photographic Society of Scotland |
Portrait of a Young Lady |
Col. (coloured) |
| 887 |
1858, Edinburgh, Photographic Society of Scotland |
Portrait of a Young Lady |
Col. (coloured) |
| 465 |
1859, London, Photographic Society |
Portraits (coloured) |
Collodion |
| 466 |
1859, London, Photographic Society |
Untouched Photograph, new 5-inch Voigtlander double Achromatic Lens, reduced to an aperture of 2 inches, by A Claudet. |
Collodion |
| 527 |
1859, London, Photographic Society |
A large frame containing coloured Portraits of the Archbishop of Canterbury, the Lord Chancellor, &c., &c. |
Collodion |
| 356 |
1860, London, Photographic Society |
Portrait, Coloured |
Collodion |
| 358 |
1860, London, Photographic Society |
Portrait, Coloured |
Collodion |
| 508 |
1860, London, Photographic Society |
Study |
Collodion |
| 511 |
1860, London, Photographic Society |
Portrait |
Collodion |
| 516 |
1860, London, Photographic Society |
Portrait |
Collodion |
| 519 |
1860, London, Photographic Society |
Portrait of a Lady |
Collodion |
| 520 |
1860, London, Photographic Society |
Portrait |
Collodion |
| 521 |
1860, London, Photographic Society |
Portrait of a Lady |
Collodion |
| 522 |
1860, London, Photographic Society |
Portrait |
Collodion |
| 523 |
1860, London, Photographic Society |
Portrait of a Lady |
Collodion |
| 524 |
1860, London, Photographic Society |
Visiting Cards |
Collodion |
| 525 |
1860, London, Photographic Society |
Visiting Cards, Coloured |
Collodion |
| 526 |
1860, London, Photographic Society |
Portrait |
Collodion |
| 527 |
1860, London, Photographic Society |
Portrait |
Collodion |
| 528 |
1860, London, Photographic Society |
Portrait |
Collodion |
| Not Listed |
1860, London, Photographic Society |
Stereoscopic Tables [with work by] |
Not Listed |
| 319 |
1861, London, Photographic Society |
A Series of Portraits coloured in Oils, containing the Portraits of The Queen Amèlie; the Duc de Monpensier; the Bishop of Malta; Sir David Brewster, F.R.S.; Wentworth Dilke, Esq.; Peter le Neve Foster, Esq., &c. &c. &c. |
Collodion |
| 334 |
1861, London, Photographic Society |
Portrait (enlarged) of the late Lord Macauley, coloured |
Collodion |
| 379 |
1861, London, Photographic Society |
A Series of Twenty-six Portraits |
Collodion |
| 537 |
1861, London, Photographic Society |
Album Portraits |
Collodion |
| 619 |
1861, London, Photographic Society |
Enamel Colours burnt-in Photographs by the process of Mons. Lafon de Camarsac |
Collodion |
| 626 |
1861, London, Photographic Society |
In the Centre of the room, [three] Tables of Stereograms exhibited by... |
Collodion |
| 172 |
1862, London, International Exhibition |
Portrait. |
Not Listed |
| 176 |
1862, London, International Exhibition |
Portrait. |
Not Listed |
| 179 |
1862, London, International Exhibition |
Portrait. |
Not Listed |
| 198 |
1862, London, International Exhibition |
Portrait. |
Not Listed |
| 209 |
1862, London, International Exhibition |
Portrait. |
Not Listed |
| 252 |
1862, London, International Exhibition |
Portrait. |
Not Listed |
| 253 |
1862, London, International Exhibition |
Portrait. |
Not Listed |
| 254 |
1862, London, International Exhibition |
Portrait. |
Not Listed |
| 255 |
1862, London, International Exhibition |
Portrait. |
Not Listed |
| 277 |
1862, London, International Exhibition |
Portrait of P. le Neve Foster - Enlarged by Solar Camera |
Not Listed |
| 278 |
1862, London, International Exhibition |
Portrait - Enlarged by Solar Camera |
Not Listed |
| 282 |
1862, London, International Exhibition |
Portrait. Enlarged by Solar Camera. |
Not Listed |
| 283 |
1862, London, International Exhibition |
Portrait of Himself. Enlarged by Solar Camera, and tinted in Chalks. |
Not Listed |
| 288 |
1862, London, International Exhibition |
Portrait of Sir David Brewster. Enlarged by Solar Camera. |
Not Listed |
| 294 |
1862, London, International Exhibition |
Portrait. Enlarged by Solar Camera. |
Not Listed |
| 295 |
1862, London, International Exhibition |
Portrait of Sir Wentworth Dilke, Bart. Enlarged by Solar Camera. |
Not Listed |
| 300 |
1862, London, International Exhibition |
Cartes de Visite. |
Not Listed |
| 801 |
1862, London, International Exhibition |
Portrait of R. L. Chance - The image, from a small negative, is thrown, enlarged by solar camera, on the canvass, there sketched, and afterwards, painted by the artist. |
Not Listed |
| 803-805 |
1862, London, International Exhibition |
Portraits - Plain. |
Not Listed |
| 853 |
1862, London, International Exhibition |
Portrait of the Ex-Queen of the French - enlarged. |
Not Listed |
| 854 |
1862, London, International Exhibition |
Enlarged Portrait in oils. |
Not Listed |
| 855 |
1862, London, International Exhibition |
Portrait. |
Not Listed |
| 865 |
1862, London, International Exhibition |
Miniature. |
Not Listed |
| 866 |
1862, London, International Exhibition |
Miniature. |
Not Listed |
| 867 |
1862, London, International Exhibition |
Portrait. |
Not Listed |
| 868 |
1862, London, International Exhibition |
Portrait. |
Not Listed |
| 871 |
1862, London, International Exhibition |
Portrait. |
Not Listed |
| 872 |
1862, London, International Exhibition |
Portrait. |
Not Listed |
| 873 |
1862, London, International Exhibition |
Lady and Child. |
Not Listed |
| 874 |
1862, London, International Exhibition |
Miniature. |
Not Listed |
| 875 |
1862, London, International Exhibition |
Enamelled Photographs on Glass. |
Not Listed |
| 876 |
1862, London, International Exhibition |
Portrait. |
Not Listed |
| 877 |
1862, London, International Exhibition |
Portrait of A. Claudet. |
Not Listed |
| 878 |
1862, London, International Exhibition |
Portrait. |
Not Listed |
| 879 |
1862, London, International Exhibition |
Portrait of Sir John Rennie. |
Not Listed |
| 887 |
1862, London, International Exhibition |
Portrait of a Lady - Enlarged from No. 805 - Same process as No. 801. |
Not Listed |
| 912 |
1862, London, International Exhibition |
Portrait. |
Not Listed |
| 913 |
1862, London, International Exhibition |
Portrait. |
Not Listed |
| 914-918 |
1862, London, International Exhibition |
Enlarged Portraits. |
Not Listed |
| 916* |
1862, London, International Exhibition |
Enlarged from No. 805 - Solar Camera. |
Not Listed |
| 919-925 |
1862, London, International Exhibition |
Portraits. |
Not Listed |
| Not Listed |
1862, London, International Exhibition |
Stereoscopic Stand - Coloured Daguerreotypes. |
Not Listed |
| 19 |
1863, London, Photographic Society |
Portrait of a Young Gentleman |
Collodion |
| 23 |
1863, London, Photographic Society |
Portrait |
Collodion |
| 64 |
1863, London, Photographic Society |
Portrait of a Lady. |
Collodion |
| 68 |
1863, London, Photographic Society |
Portrait of a Lady. |
Collodion |
| 100 |
1863, London, Photographic Society |
Portrait |
Collodion |
| 116 |
1863, London, Photographic Society |
Portrait of a Lady |
Collodion |
| 123 |
1863, London, Photographic Society |
Portrait of a Lady |
Collodion |
| 134 |
1863, London, Photographic Society |
Une Religieuse |
Collodion |
| 138 |
1863, London, Photographic Society |
Portrait of a Lady |
Collodion |
| 157 |
1863, London, Photographic Society |
Portrait |
Collodion |
| 158 |
1863, London, Photographic Society |
Portrait |
Collodion |
| 172 |
1863, London, Photographic Society |
Portrait |
Collodion |
| 178 |
1863, London, Photographic Society |
Portrait |
Collodion |
| 181 |
1863, London, Photographic Society |
Portrait of a Lady |
Collodion |
| 200 |
1863, London, Photographic Society |
Portrait of a Lady |
Collodion |
| 221 |
1863, London, Photographic Society |
Portrait of a Lady |
Collodion |
| 227 |
1863, London, Photographic Society |
Portrait |
Collodion |
| 230 |
1863, London, Photographic Society |
Portrait |
Collodion |
| 391 |
1863, London, Photographic Society |
Portraits |
Collodion |
| 398 |
1863, London, Photographic Society |
Portrait |
Collodion |
| 406 |
1863, London, Photographic Society |
Portrait |
Collodion |
| 407 |
1863, London, Photographic Society |
Portrait |
Collodion |
| 411 |
1863, London, Photographic Society |
Portrait |
Collodion |
| 478 |
1863, London, Photographic Society |
Enlarged Head |
Collodion |
| 497 |
1863, London, Photographic Society |
Portraits |
Collodion |
| 500 |
1863, London, Photographic Society |
Portrait |
Collodion |
| 502 |
1863, London, Photographic Society |
Portraits, Coloured |
Collodion |
| 503 |
1863, London, Photographic Society |
Cartes de Visite, Coloured in Oil |
Collodion |
| 504 |
1863, London, Photographic Society |
Portrait, Coloured |
Collodion |
| 511 |
1863, London, Photographic Society |
Portrait of a Young Gentleman, Coloured |
Collodion |
| 515 |
1863, London, Photographic Society |
Portrait, Coloured |
Collodion |
| 516 |
1863, London, Photographic Society |
Portrait, Coloured |
Collodion |
| 518 |
1863, London, Photographic Society |
Portrait, Coloured |
Collodion |
| 521 |
1863, London, Photographic Society |
Portrait, enlarged, Coloured in Pastels |
Collodion |
| 522 |
1863, London, Photographic Society |
Portrait, Coloured in Oils |
Collodion |
| 523 |
1863, London, Photographic Society |
Portrait, Coloured |
Collodion |
| 524 |
1863, London, Photographic Society |
Portrait, Coloured |
Collodion |
| 525 |
1863, London, Photographic Society |
Une Religieuse, Coloured |
Collodion |
| 530 |
1863, London, Photographic Society |
Portrait, Coloured |
Collodion |
| 532 |
1863, London, Photographic Society |
Portrait, enlarged, Coloured |
Collodion |
| 533 |
1863, London, Photographic Society |
Portrait, enlarged, Coloured |
Collodion |
| 535 |
1863, London, Photographic Society |
The late Archbishop of Canterbury, Coloured |
Collodion |
| 538 |
1863, London, Photographic Society |
Portrait of a Lady, Coloured |
Collodion |
| 541 |
1863, London, Photographic Society |
Portrait of a Lady |
Collodion |
| 542 |
1863, London, Photographic Society |
Portrait, Coloured |
Collodion |
| 544 |
1863, London, Photographic Society |
Portrait, Coloured |
Collodion |
| 550 |
1863, London, Photographic Society |
Portrait, Coloured |
Collodion |
| 552 |
1863, London, Photographic Society |
Enamel Miniature |
Collodion |
| 555 |
1863, London, Photographic Society |
Portrait enlarged, Coloured in Oils |
Collodion |
| 577 |
1863, London, Photographic Society |
Portrait of a Lady, enlarged, Coloured |
Collodion |
| 582 |
1863, London, Photographic Society |
Youth, in Fancy Dress, Coloured |
Collodion |
| 661 |
1863, London, Photographic Society |
Stereograms |
Collodion |
| Not Listed |
1863, London, Photographic Society |
Eight Portraits enlarged from Cartes de Visite |
Not Listed |
| 1 |
1864, London, Photographic Society |
Twelve Cartes de Visite |
Collodion |
| 13 |
1864, London, Photographic Society |
Portraits of Children |
Collodion |
| 24 |
1864, London, Photographic Society |
Studies |
Collodion |
| 37 |
1864, London, Photographic Society |
Portrait of Sir Rowland Hill |
Collodion |
| 83 |
1864, London, Photographic Society |
Portraits |
Collodion |
| 255 |
1864, London, Photographic Society |
Studies of Heads |
Collodion |
| 262 |
1864, London, Photographic Society |
Vignettes |
Collodion |
| 11 |
1865, Dublin, International Exhibition |
Portraits enlarged by Solar Camera, and developed by gallic acid; portraits developed by Mr. H. Claudet's instantaneous formic acid process; medallion portraits; frame containing twenty four carte-de-visite portraits. |
Not Listed |
